
The prawn weaponry (how often do you get to say that!?) was excellent especially the battle suit.
What did you make of it?
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I spent a week in the shadow of Table Mountain back in March/April - the difference between the centre of Cape Town and the Townships was heart-breaking and scary and while most of the "white" people I met were wonderful and friendly initially, there was quite a large percentage of them that you didn't have to scratch below the surface before rather unpleasant terms about the indigenous populace came to the fore - I was genuinely shocked.Ahruman wrote:I absolutely hated it.
Yes, as an action film it’s a refreshing take. And having grown up in southern Africa, I was amused at a lead character called van der Merwe.
The problem, though, is that it’s marketed as an allegory over apartheid, and at that it utterly and completely fails. Why? Because as presented in the film, the aliens really are subhuman beasts who need to be kept separate from humanity, with a few rare exceptions. Given how the film was presented, this was an immensely, dangerously, wrong message. It’s a pity, because the original Alive in Joburg was very promising.
If you want to see a good South African film, watch Tsotsi. And if you want to see a film about where I grew up, more or less, watch Wah-Wah.
Oolite Life is now revealed hereSelezen wrote:Apparently I was having a DaddyHoggy moment.
If your dislike of the film wasn't so clearly stated, I'd assume you were being sarcastic. I mean no offense by this remark, but I have a few SA friends (not to mention a partner who was born there) who would feel that the film does capture the apartheid allegory for the very reasons you've stated.Ahruman wrote:The problem, though, is that it’s marketed as an allegory over apartheid, and at that it utterly and completely fails. Why? Because as presented in the film, the aliens really are subhuman beasts who need to be kept separate from humanity, with a few rare exceptions. Given how the film was presented, this was an immensely, dangerously, wrong message.
I haven't seen the film, but as far as I understand Ahruman, he particularly disliked that the film seems to have the premise that the aliens are really subhuman (as opposed to: they are only viewed as or are demonized as being subhuman by the humans, which would be basically the ideology of apartheid).Sendraks wrote:If your dislike of the film wasn't so clearly stated, I'd assume you were being sarcastic. I mean no offense by this remark, but I have a few SA friends (not to mention a partner who was born there) who would feel that the film does capture the apartheid allegory for the very reasons you've stated.Ahruman wrote:The problem, though, is that it’s marketed as an allegory over apartheid, and at that it utterly and completely fails. Why? Because as presented in the film, the aliens really are subhuman beasts who need to be kept separate from humanity, with a few rare exceptions. Given how the film was presented, this was an immensely, dangerously, wrong message.
Would the film have been less dislikable if it had been set in the USA? The aliens would've been treated the same way and that would've illustrated that the "apartheid mentality" isn't something that is restricted to one part of the world. Humanity the world over has demonstrated a boundless capacity to bully/oppress those weaker than themselves. Exploit what resources they have and then cast them aside.Commander McLane wrote:I haven't seen the film, but as far as I understand Ahruman, he particularly disliked that the film seems to have the premise that the aliens are really subhuman (as opposed to: they are only viewed as or are demonized as being subhuman by the humans, which would be basically the ideology of apartheid).