RockDoctor wrote: ↑Thu Jul 02, 2020 5:37 pm
Milo wrote: ↑Thu Jul 02, 2020 2:52 pm
Well, the stillsuit does have some plot implications ("he will know your ways as if he were born amongst you", or some such prophecy concerning the Muad'dib), but is it "central"?
Sorry, I missed the stillsuit link previously, I think Milo added it after I commented on the Star Trek thing.
On the whole I'm inclined to accept the stillsuit - it is a fairly major part of the whole Dune series and Arrakis culture, and while the story isn't actually about it, it does feel more integral to the plot (and a lot less generic) than e.g. a spacesuit.
OK, that's one for Milo and two more to go.
RockDoctor wrote: ↑Thu Jul 02, 2020 6:39 pm
Continuing my pogo-sticking across the thin ice, and depending on the crocodiles to be a bit less than snappy,
Let's try another necessity of life - clothing.
Necessity?
A significant plot point in Heinlein's
"Stranger in a Strange Land" is the importance of nudity within the "Nest" - partly to differentiate the in-Nesters from the out-Nesters, partly as a goad to the BuyBull belt of America, partly as a statement of something profound of a religious sort (that went over my head) ... Is nudity a form of clothing? Well, as the climactic scene shows His Michaelness deliberately shedding his "street clothes" and donning his sacramental garb of nudity for his apotheosis ... that's how Heinlein was thinking of it.
BOING, Boing, boing ... splash!
I'm sorry, it doesn't really feel like it was integral to the plot in the same way as e.g.
The Man in the White Suit, where everything that happened in the story was directly related to the suit, the material it was made of, the implications for the textile industry, etc. etc. It's part of the lifestyle of Smith's cult, but it wouldn't have changed the story much if they had chosen some other lifestyle variant. I think I'll have to say no on this one.