I think there's a big culture change in the wind, and those who make money from distribution of any media are getting hit hard. Napster was the first big case of this, where music publishers found out they were losing money because online distribution was becoming more popular than buying hard copies of things.
It's true for all the stuff that's being discussed here. Books, music, films, documentaries, everything that is distributed by any sort of marketing firm. The problem is that the floodgates are open and there's no way it's ever going to stop.
Piracy is never going to go away. DRM is like trying to put your finger in a dam that's already rubble at the bottom of a raging torrent (pun intended).
As far as the BBC is concerned, I do resent paying the licence fee, knowing that it's being put into a kitty that ultimately contributes to paying the wages of people I hate and who do nothing for me (Chris Moyles, Chris Evans, Graham Norton, cast of Eastenders, anyone involved with "talent reality" shows etc). Some of it pays for very good things, like documentaries, Watchdog, Crimewatch and Spooks. I woudl be accepting of a change in the structure of license fees, where they are used as a "review" of what people like - people can pay their license fee money to certain "products" made by the BBC. For example I could pay 20% to BBC News, 30% to production of drama and 50% to documentaries. It would be a fantastic way for the BBC to gauge what the fee paying public are enjoying most and would make the couch-dwelling public actually think about what they are paying for.
Radical, huh? Yeah, I'm a rebel.
I generally advocate "try before you buy" philosophies, because I've bought far too many albums based on one good song (where all the other songs were crap) and too many films based on trailers that were only good because they had ALL the good bits in the trailer. I'll watch/listen to something then if it's good and I'll watch/listen to it again then I'll go and buy it.
I like that most new DVDs/Blu-rays are now coming with free digital downloads. I don't like that each one has a different way to play it though... I still tend to download a DRM free digital copy so that I can play it on my computer, iPhone and TV through their disparate methods.
Ultimately, I understand the need to have DRM as far as the profits of publishers are concerned, but I don't understand why the viewer/listener/reader's ability to view said protected media has to be compromised to achieve that. Maybe some boffin out there will work it out some day, and you know that the person who does it will be a hacker...